Tune in to hear Gwen E. Kirby discuss her new collection of short stories Shit Cassandra Saw in conversation with Rachel Yoder! This is a VIRTUAL EVENT please register here
Margaret Atwood meets Buffy in these funny, warm, and furious stories of women at their breaking points, from Hellenic times to today.
Cassandra may have seen the future, but it doesn’t mean she’s resigned to telling the Trojans everything she knows. In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren’t ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers. Gwen E. Kirby experiments with found structures—a Yelp review, a WikiHow article—which her fierce, irreverent narrators push against, showing how creativity within an enclosed space undermines and deconstructs the constraints themselves. When these women tell the stories of their triumphs as well as their pain, they emerge as funny, angry, loud, horny, lonely, strong protagonists who refuse be secondary characters a moment longer. From “The Best and Only Whore of Cym Hyfryd, 1886” to the “Midwestern Girl [who] is Tired of Appearing in Your Short Stories,” Kirby is playing and laughing with the women who have come before her and they are telling her, we have always been this way. You just had to know where to look.we have always been this way. You just had toknow where to look.
Gwen E. Kirby is a writer and teacher. She hails from San Diego and is a proud graduate of Carleton College. She has an MFA from Johns Hopkins University and a PhD from the University of Cincinnati. Currently, she is the Associate Director of Programs and Finance for the Sewanee Writers’ Conference at the University of the South, where she also teaches creative writing. Her stories appear or are forthcoming in One Story, Tin House, Guernica, Mississippi Review, Ninth Letter, Blackbird, SmokeLong Quarterly, and elsewhere. Guest editor Aimee Bender selected her story “Shit Cassandra Saw . . .” for Best Small Fictions 2018 and it also appears in the 2018 Wigleaf Top 50. Her story “Midwestern Girl Is Tired of Appearing in Your Short Stories” won the 2017 DISQUIET Literary Prize for Fiction. She has received two Pushcart Prize special mentions and has been awarded scholarships to the Rivendell Writers’ Colony and the Sundress Academy for the Arts. She was the 2018-2019 George Bennett Fellow at Phillips Exeter Academy.
Rachel Yoder is a founding editor of draft: the journal of process. She holds M.F.A's from the University of Arizona (fiction) and the University of Iowa (nonfiction), where she was an Iowa Arts Fellow. Her stories and essays have been published in literary journals such as The Kenyon Review and The Missouri Review, as well as national outlets such as The New York Times, The Sun, and Lit Hub. She lives in Iowa City with her husband and son.